Sunday, January 31, 2010

Slash to Perform at Grammy Awards Tonight


Idolator
The 52nd Annual Grammy Awards airs on this Sunday at 8 p.m. ET/PT on CBS, and we’ll be liveblogging the whole bash. Fill up your cup—drank!—and join us for the festivities. Just so you’re not tuning into the Grammys unprepared, we pulled together this handy guide to Sunday’s awards fest, based on everything we know (and think we know) about the performers and presentations. Take the jump and be prepared for music’s biggest night:

Lady Gaga will open the show, possibly with Elton John, which will undoubtedly result in the fiercest fashion show-off in Grammy history.

Carrie Underwood, Jennifer Hudson, Smokey Robinson, Celine Dion and Usher will sing a tribute to Michael Jackson, and This Is It’s “Earth Song” short film will be screened in its entirety in 3D. With any luck, it will also star a CGI’d Michael as a Na’vi straight out of Avatar.

Green Day will perform “21 Guns” with the Broadway-bound cast of American Idiot. The cast of Cats will then storm the stage and say “Sorry, Green day, Imma let you finish, but ABBA had one of the best jukebox musicals of all time.” (No, that joke will never die until it is used in every hypothetical scenario.)

Drake, Eminem, Lil Wayne and Travis Barker will perform together, most likely the remix of “Forever.” Unfortunately, none of these male artists are nine months pregnant, so last year’s all-star “Swagga Like Us” (with a M.I.A. performing on her due date) cannot be topped.

Bon Jovi will perform one of three hits, depending on which song fans vote for. Whatever they choose to play, we’ll be humming “You Give Love a Bad Name” to ourselves.

Probably no Kanye West. But we’re expecting—nay, counting on him—to BLOG.

Somebody awkwardly asking Rihanna “So, why weren’t you here last year? Car trouble?” before immediately feeling like an ass.

Mary J. Blige and Andrea Bocelli will perform “Bridge Over Troubled Water” to support the victims of the Haiti earthquake. Because somebody already came up with the genius idea to sell leggings.

A tribute to guitar legend Les Paul with Jeff Beck and Imelda May. Maybe it will inspire kids watching at home to stop playing Guitar Hero and actually pick up a damn instrument.

Jamie Foxx will perform with T-Pain, Slash and Doug E. Fresh. And they will all be upstaged by a giant 12-foot vocoder taking over lead vocals.

Additional performances by Beyoncé, Pink, Taylor Swift, The Black Eyed Peas, Dave Matthews Band, and Roberta Flack. But with “Pants on the Ground” supposedly kicking off the show from the red carpet, there’s nowhere to go but down.

Friday, January 29, 2010

RIP Ron Schneider



via Marc Canter:
"Very sad news, Ron Schneider passed away today 1/29/10.

He was the bass player in Tidus Sloan and Roadcrew with Slash and was a GN'R roadie from 1986 to 1988.

He was one of my best friends and was very close to the band. He was loved by everyone that knew him. He will always hold a special place in our hearts. He will be missed."

http://www.recklessroad.com/

Condolences thread on MYGNR

Thursday, January 28, 2010

January 28 - Toronto


Photo: "11 PM and Still no Sign of Axl Rose" by World_Tour

January 28 - Toronto

Start time: 11:27 PM (Axl arrives on stage in wheelchair)

Chinese Democracy
Welcome to the Jungle


"Sorry about the time delay, got a little carried away jumping off stuff last night. Getting ready for this show was like 'what the fuck?' Anyway, I'm here now."


It's So Easy
Mr. Brownstone
Sorry

"A DJ on the radio said that we were expected to be on stage at 2 AM - so I'm early"

Better
Richard Fortus guitar solo
Live and Let Die
If the World
Jam
Dizzy Reed piano solo
Street of Dreams
Rocket Queen
Catcher in the Rye (for JD Salinger)
DJ Ashba solo
Sweet Child O' Mine
Jam
Axl Rose piano solo (Someone Saved My Life Tonight)
November Rain
Ron Thal solo (Pink Panther theme)
You Could Be Mine


Axl says he remembers the show last night but not the time after. Richard says he saw Axl at the bar.

Knockin' on Heaven's Door


Axl talks about how much problems they had planning the tour and going to Asia without management. He says the band really wanted to play here, since 06.

Nightrain

ENCORE

Shackler's Revenge
Madagascar
This I Love
Paradise City


First "Sold Out" show of the tour! Gonna be a good one!

Click here for local time in Toronto, Ontario.

By the way, I'll be getting my updates tonight from Here Today ... Gone to Hell!

Wednesday, January 27, 2010

Big Show Tonight in Montreal (Updated)


Photo: Jeff Lizotte
Montreal - January 27, 2010

Soundcheck: You Could Be Mine

Chinese Democracy
Welcome to the Jungle
It's So Easy
Mr. Brownstone
Sorry
Richard Fortus guitar solo
Live and Let Die
If the World
Better
Band introductions
Jam
Dizzy Reed piano solo
Street of Dreams
Jam
You Could Be Mine
DJ Ashba guitar solo
Sweet Child O' Mine
I.R.S.
Jam (Immigrant Song)
Axl Rose piano solo (Someone Saved My Life Tonight)
Ron Thal guitar solo
Knockin' on Heaven's Door
Out Ta Get Me
Jam
Patience
Shackler's Revenge
Nightrain

ENCORE:

Madagascar
Scraped
This I Love
Paradise City

Local time in Montreal

Follow Randy Spriggs on twitter for updates.

News Stories:
The jungle book; The storied return of Guns N' Roses to Montreal


Tuesday, January 26, 2010

Guns N' Roses Blaze Long into the JLC Night


Photo: Snascarella
Text: London Free Press
Every seven years or so, the frontman for Guns N’ Roses takes his sweet time about getting to the stage at the John Labatt Centre.

When he finally gets there, he works his Axl off.

At 2010’s first big rock concert at the downtown London arena, Axl Rose and his Guns N’ Roses bandmates started with about an hour of Monday left and kept rocking for 80 minutes into Tuesday.

Recalling the band’s epic show in the arena’s early days, late in 2002, the U.S. rockers played a long show including their big hits Welcome to the Jungle, Paradise City and Sweet Child O’Mine.

This time, they also found space for many songs from Chinese Democracy, the long-delayed album that finally emerged in 2008.

In terms of a review, a kaleidoscopic approach probably works best for a show like this one.

Sure, Guns N’ Roses were late to the stage and sure there was some filler as Monday blended into early Tuesday.

But any Rose that can keep running and shouting for that long and still remembers he’s in London, Ontario when it’s time to say good night is always welcome back for more.

Who knows? Maybe there will be democracy in China by the next time Guns N’ Roses plays here.

One-two punch: Chinese Democracy to open and then Welcome to the Jungle over a squeal from Axl Rose: “You know where you are? You in the jungle, baby.” A political rocker and a menacing rocker. The new. The old. Back-to-back and the band — three guitarists, two keyboards, bass and drums — is on fire. Yeah, there is a lot of pyro to punctuate the riffs early on. But this band is hot.

Paradise City: This had to be the finale destination and about 1:20 Tuesday morning, it was. Axl was running so fast, his little fedora flew off. He still had some scream in the tank to finish. The three guitarists found different monitors or other elevations at the front of the stage. The confetti flew. The mic flew, in a safe, friendly, arc from Axl Rose’s hand to lucky fans at the far reach of the standing room main floor. Big voice, big arm. The huge light system descended like an enormous spaceship. A great song. A signature song. The song to end on.

Actually, here is how it ended: The band returned casually to the stage, joined by women in skimpy cocktail dresses with trays of drinks. Axl Rose took some drinks out to fans, said get out of here safely and thanked everybody nicely. Bumblefoot, one of the guitarists, made a joke we can’t tell you here. Then, the lights went on and Frank Sinatra’s My Way serenaded the 6,000 fans as they exited. That’s a message song to end any evening.

Knockin’ on Heaven’s Door and Live and Let Die: Such covers in the Guns N’ Roses songbook. The Bob Dylan song is the night’s biggest singalong with a reggae feel. It arrives late in the main set. The McCartney-Bond item is a cool bruiser, but there’s a weird moment when the vocalist and the mic go their separate ways and the vocal doesn’t fade a bit.

This time vs. last time (Nov. 30, 2002): Band hit the stage at 11 p.m. then and opened with Welcome to the Jungle. This time, it was 10:50 p.m. and Chinese Democracy was the opener. Axl Rose looked sleeker than in 2002 and has lost the ridiculous hair style. He moved around a lot then and doesn’t seem to have lost a step when it comes to the spin moves, runs to the back of the stage, etc. His voice doesn’t seem as bone-crunchingly dominant in 2010 as it did in 2002 . . . but he has come up with powerful whine that carries a lot of freight over a long night. Last time, he was in hockey jerseys including Team Canada and London Knights looks. This time, there were enough changes in coats, jackets, shirts and bandannas to compete with Cher in the most outfits during one concert category. Both times, he played too much piano.

Three guitarists, three spotlights: Richard Fortus put some metal to James Bond-styled themes and gets extra points for windmilling a la Pete Townshend and punching away at the chords all night. Ron “Bumblefoot” Thai played The Pink Panther Theme in his spot, cute but only that. He had some of the sweetest unplugged sounds and Bumblefoot also amazed on a fretless guitar. The weak link was the newbie, DJ Ashba. His instrumental spot was just ho-hum and he applause begged no end. Good tattoos, though.

The stage: Spectacular. Multi-runways. Many screens for showing imagery and the on-stage action. Huge, illuminated stair cases. Countless lights. A big deal and there is mucho pyro, fireworks and other dazzling effects.

Who is Chris Pitman? Keyboard player Dizzy Reed gets a solo piano feature — clunky sounding Keith Jarrett or New Age ivories in a hockey rink — and joins the main stage action a lot. Muscular drummer Frank Ferrer gets plenty of face time on the big screens with his T-shirt saying GREED. Bass player Tommy Stinson gets a mention from Axl Rose for saying he’s getting “a contact high” up on stage. The three guitarists all have spots. So why does the keyboard player apparently called Chris Pitman receive none of the above . . . it’s a mystery all night.

Axlisms: Axl Rose’s pronouncements can be puzzling. In 2002, it was impossible to figure out what he was saying about Chinese Democracy, the album which was still six years from being released, or China’s political system. This time, he talked here and there, sounding friendly or edgy as the occasion inspired him. Here is a little of what he said: “That’s a question that can’t be answered” . . . “Are you having a pleasant evening . . . I’m glad we could help . . . the door only swings one way — give, give, give” . . . “You know, it’s all about responsibility. You can mix your drinks, if you choose to deal with the consequences . . . (then talks about “manageable” hangovers and various drinks) . . . I’m managing.”

Roses interruptus: There is a lot of noodling between songs in a show this long and complicated. At least twice, Axl Rose shut down his bandmates, once when they’d been fooling around with a Van Halen song and another time when they were thumping away at a riff suggesting “Guns N’ Roses, Guns N’ Roses.”

The last word: "Did I say thank you?" Axl Rose asks as he leaves for the last time. Yes, you did — and it was sweet.

Review
Setlist

Ticketmaster / Livenation Merger


LA Times
Giving its blessing to a deal that could transform the music industry, the Justice Department on Monday approved the controversial merger of the nation's dominant ticket seller and the world's largest concert promoter -- but only after extracting major concessions to address concerns that Ticketmaster and Live Nation would have a stranglehold on ticket sales.

The merger, which was the first major review for Obama administration antitrust regulators, will create a goliath with hands in every pocket of the music business. The newly formed Live Nation Entertainment would have the ability to book concerts, sell tickets and merchandise, and manage artists all under one roof.

But for the $889-million deal to proceed, the two companies agreed to the unusual step of creating a pair of rivals to ensure a competitive market for ticket sales, which has been one of the few bright spots for the ailing music industry.

"This goes beyond what is normally provided for in a settlement by creating two additional competitors who can go up against the behemoth," said Matt Cantor, a law partner at Constantine Cannon who specializes in antitrust issues.

A proposed settlement filed by the Justice Department, along with 17 state attorneys general, spells out measures to resolve concerns about competition.

Under the agreement, Ticketmaster will give Anschutz Entertainment Group access to its technology so that AEG -- which owns and manages nearly 100 venues including Staples Center -- can create its own ticketing service.

"AEG is committed to competing in the ticketing business," Chief Executive Timothy J. Leiweke said.

Ticketmaster would also be required to divest a subsidiary that provides software for venue operators to sell their own tickets. Comcast Corp.'s sporting events division, Comcast Spectacor, has signed a letter of intent to acquire the Irvine-based subsidiary, Paciolan.

Live Nation Entertainment also is prohibited from retaliating against venue owners that defect to competitors.

When it was announced last February, the proposed merger of two concert-industry juggernauts brought immediate protests from consumer groups, smaller competitors and artists including Bruce Springsteen, all of whom worried about Ticketmaster's growing power and its potential to ratchet up prices.

On Monday, some groups representing consumers and smaller competitors reacted guardedly to the Justice Department's recommendation.

"While we appreciate the efforts of the DOJ to extract meaningful concessions from the parties, we remain concerned that these two companies, with a history of anti-consumer behavior, will abide only by the letter and not the spirit of the settlement agreement," said Sally Greenberg, executive director of the National Consumers League.

Proponents of the merger, including its chief architect, Ticketmaster Chief Executive Irving Azoff, say the deal will help revive the music industry by creating a more efficient process to deliver music to fans. Opponents contend that it grants too much control to a single entity and will result in higher ticket prices.

The combination is the first major merger reviewed from start to finish by the Obama administration and was considered a test of how it would respond to a major industry consolidation.

The Justice Department said in legal filings that the merger, as initially proposed, would eliminate competition in the market for ticket sales, creating less pressure on the fees charged and potentially less innovation. No existing player, they said, would have the resources to compete.

"After a rigorous investigation, we concluded that the transaction, as originally proposed, was anti-competitive," Christine Varney, assistant attorney general in charge of the Justice Department's antitrust division, said at a news briefing Monday. "We were prepared to litigate this case, and I told the parties that."

The two companies have spent the last year trying to demonstrate that they're not the Darth Vader of the concert industry.

Last year, for instance, Live Nation and Ticketmaster instituted "no-service-fee Wednesdays" and reduced prices on lawn seats at Live Nation's network of amphitheaters around the country to draw more fans.

Jim Guerinot, the manager of No Doubt and Nine Inch Nails, said he was initially skeptical that the merger would win the Justice Department's approval. But over the last year, he said, the two companies have tried hard to work with artists.

"Since these guys have been, if not married, then living together, I've gotten a tremendous amount of cooperation," Guerinot said

Ticketmaster has dominated ticket sales for major concert events for two decades. In 2008, it sold more than 141 million tickets worth more than $8.9 billion and had a market share of more than 83% for major venues, according to concert-industry tracking publication Pollstar. Its next-biggest competitor's share was just under 4%.

As recently as 15 months ago, it appeared that Ticketmaster would face major competition from Live Nation, which in December 2008 began selling tickets for its own venues and for others. It quickly gained traction and grabbed 16.5% market share -- nearly all from Ticketmaster, according to documents filed by the Justice Department.

Just two months after Live Nation's entry into ticket sales, the two companies announced their intention to merge into a new entity with a combined value of about $2.5 billion.

Live events have been the only relatively healthy segment of the ailing music business in recent years. In 2009, North American concert revenue was a record $4.4 billion, according to Pollstar, a 10% increase over the previous year.

Ticketmaster and Live Nation executives have argued that the merger would benefit consumers. "It will give us greater flexibility in how we promote, market and sell tickets to events," Ticketmaster's Azoff said in February at a Senate Judiciary Committee hearing looking into the deal. "It will give us a pathway to alternative pricing and fee structures."

The Justice Department took a differing view and refused to let the deal go through without significant revisions.

"I think the Department of Justice got a good settlement for the consumer and at the same time gave the businesses involved at least a chance at the promised efficiencies," said Jim Rill, a partner at the Howrey law firm, who served as assistant attorney general in charge of antitrust under President George H.W. Bush.

The proposed settlement would have to be approved by a federal judge after a 60-day comment period.

Based on Monday's closing prices, Ticketmaster shareholders would receive nearly $889 million of Live Nation stock, which would give them 50.01% control of the combined entity. Azoff will be its executive chairman. Michael Rapino, chief executive of Live Nation, will retain his title.

Some longtime critics of Ticketmaster and Live Nation welcomed the heightened scrutiny that the proposed 10-year settlement would bring the companies after they merge.

"This puts Live Nation Entertainment under a microscope, a place we wished Ticketmaster and Live Nation were under a long time ago," said Seth Hurwitz, a Washington, D.C., club owner and concert promoter.

LA Times

London - January 25



London, ONT - January 25

Chinese Democracy
Welcome to the Jungle
It's So Easy
Mr. Brownstone

Axl says you can drink vodka, rum, tequila, etc., as long as the headache is manageable....

Sorry
Better
Richard Fortus guitar solo
Live and Let Die
If the World
Dizzy Reed piano solo
Street of Dreams
Jam (a bit on ACDC's TNT)
Scraped
Rocket Queen
DJ Ashba guitar solo
Sweet Child O' Mine

AXL: Are you having a pleasant evening?

Jam/Axl Rose piano solo (Asshole Song/Someone Saved My Life Tonight)
November Rain
Ron Thal guitar solo
You Could Be Mine
Knockin' on Heaven's Door(Dedicated to Mojo, Dougie and Eduardo)

Axl: Come On You Bitches Sing!

Shackler's Revenge
Acoustic jam
Patience
Nightrain

ENCORE

Madagascar
This I Love(Axl's on the piano singing at the end and then jumps off for the final part.)
Paradise City