Sunday, August 28, 2011

First GN'R U.S. Date Appears


GN'R will play the American Airlines Arena in Miami, Florida on October 29, 2011.

If followed by more (rumored) dates, this will be GN'R's first full U.S. tour since Chinese Democracy was released on November 23, 2008.

Tickets on sale Friday, September 9 at 10am at the box office, all ticketmaster locations, online at Ticketmaster or charge by phone 1.800.745.3000

2011 GN'R tourdates

Monday, August 22, 2011

It's So Easy (and other lies) Book Tour Dates!


Tuesday, October 4 - NYC
Strand Book Store Event 7pm

828 Broadway NYC 10003

Wednesday, October 5 – NJ
Bookends Event 7pm

211 E. Ridgewood Ave.
Ridgewood, NJ 07450

Thursday, October 6 - Long Island
Book Revue Event 7pm

313 New York Avenue
Huntington, NY 11743

Saturday, October 8 – ORANGE COUNTY
Barnes & Noble Costa Mesa Event 2pm

901 B South Coast Drive
Costa Mesa, CA 92626

Sunday, October 9 – SANTA MONICA
Barnes & Noble Santa Monica Event 2pm

3rd St. Promenade, 1201 3rd St.
Santa Monica, CA 90401

Tuesday, October 11 - LA
Book Soup Event 7pm

8818 Sunset Blvd.
West Hollywood, CA 90069

Sunday, October 16 – TWIN CITIES
Mall of America Event 2pm

60 E. Broadway
Bloomington, MN 55425

Tuesday, October 18 - PORTLAND
Powell’s Books Event 7:30pm

1005 W. Burnside
Portland, OR 97209

Wednesday, October 19 – SEATTLE
University Book Store Event 7pm

4326 University Way NE
Seattle, WA 98105

Thursday, October 20 - SEATTLE
Third Place Books Event 7pm

17171 Bothell Way NE
Lake Forest Park, WA 98155

Friday, October 21 - SEATTLE
Elliott Bay Book Company Event 7pm


Saturday, October 22 – SAN DIEGO
Warwicks Event 6:30pm

7812 Girard Avenue
La Jolla, CA 92037


Please Note: Duff will only be signing copies of "It' So Easy (and other lies)" Any memorabilia or outside items will not be signed.

Duff McKagan on Facebook

Thursday, August 18, 2011

Dj Ashba: "I Hate Bands That Literally Clone Other Bands"


via Blabbermouth

Alison Richter of the Music Industry Examiner recently conducted an interview with guitarist Dj Ashba. A couple of excerpts from the chat follow below.

Music Industry Examiner: You were raised in a religious household. Does your faith play a great part in your life?

Dj Ashba:
It does. I don't go to church every Sunday, just on Christmas, but I still pray every night and thank God for everything I have, because it could all be gone tomorrow. I'm fortunate. I work very hard and I'm very lucky to have two arms, two legs, two hands, and I don't take that for granted. I really could get hit by a car and it would all be over. I thank God every night and it makes me feel good. I'm not a Bible thumper, but at the same time, it was instilled in me at such a young age and it has helped me get through a lot.

Music Industry Examiner: When did you become interested in graphic design?

Dj Ashba:
I had a cartoon in the newspaper for four years when I was young. I was always into painting and drawing, and then I got into Photoshop. Ashbaland is the world of my music and Ashbaland Studio. Ashba Media is my graphic design agency for wallpapers and desktops for mobiles. I love scoring movies, and while we were doing The Heroin Diaries, I knew I could do orchestral music. My mom is a classical piano teacher and I grew up listening to that music. My influences are Danny Elfman and John Williams. I was into film music as a kid, and now I'm getting into making that music. I'm building Ashba Media up with good clients, and my brand with Ashbaland and Ashba Music.

Music Industry Examiner: What led you to production work?

Dj Ashba:
I had done some before SIXX: A.M., but not a whole lot. I always did stuff myself. I think it's super-important to learn the gear you use every day for your business, so every day since I was little I would record a guitar riff in my tape deck and then play along and record that in another deck. It was really crappy, but I was young and learning. Then I got my first 4-track. I always learned the gear, and when Pro Tools came out, I learned that. I didn't know it was classified as producing. I had to learn just to produce what I was writing.

Music Industry Examiner: What is the difference between playing guitar and being a guitarist?

Dj Ashba:
I think the difference is being mature in what you do and in the choices you make. Putting everything into a song and knowing when to go for it and when to pull back. I respect anybody who wants to be any type of musician and I would never discourage anybody. But there are definitely people out there … it's almost like they're into it for the wrong reasons, and that's sad. To be a true guitarist isn't about anything except the art of playing guitar. I didn't get into this … I didn't know I could make money at this. I spent most of my life starving and I didn't care because I loved what I did. Making money now is the icing on the cake.

I hate bands that literally clone other bands because they're not original enough to put in the hard work to develop a style. It disgusts me. That's the difference: they don't want to put in the many years of hard work and dedication. They'd rather sit back, rip off somebody else's style and claim it as their own. It makes me cringe. It's embarrassing. The answer to that question — the difference between the two is that being a guitarist means being true to what you do. You can lie to yourself, but others will see through it.

Guitar is an art and it takes a lot of years and dedication. It's not an overnight thing. It's a super-long road and you're going to hit the ground, but at the end of the day, what makes you a true guitarist is honing in on a unique style and never giving up.

Read the entire interview from Music Industry Examiner.
Discussion thread.

"Exit Laaaaars!"


via Blabbermouth
SPIN.com recently conducted an interview with Tommy Stinson, who will release his second solo effort, One Man Mutiny, on his own 'Done To Death Music' label on August 30. An excerpt from the chat follow below.

SPIN.com: When you joined GN'R, was Axl aware of your background?

Stinson:
He knew about The Replacements. He told me that he and Del James had come to see us in some club, and they were not impressed. He and I both had a chuckle about the fact he wasn't a 'Mats fan and I wasn't a Guns fan.

SPIN.com: You've worked closely with Axl for a long time now. What's the secret?

Stinson:
You figure out after a while what battles are worth fighting for. That's the big thing. A lot of times, whether it's Axl or Paul or just about anyone, they'll tell you they want to hear what you have to say, but they really don't. So you've got to walk a fine line. You have to play the moment for what it is.

SPIN.com: Who has the wilder backstage scene: indie- or hard-rock bands?

Stinson:
Back in the day we were all young and imbibing, getting our cocktail on. Like with R.E.M. and X, we got hammered with those guys pretty good. But with Guns, I've played with Metallica. Lars Ulrich vomiting in your dressing room, that's pretty nasty. Him taking one shot more than he should have, then having Sebastian Bach singing, "Exit Lars! Exit Laaaaars!" as his assistant is carrying him out of the building. But that's a whole other story.

Read the entire interview from SPIN.com

Wednesday, August 17, 2011

Stars Step Up War on Leaks


BBC News
Rap superstars Jay-Z and Kanye West employed tight security and extreme tactics to ensure their album Watch The Throne did not fall victim to the curse that hits almost every other big release - the online leak.

When Watch The Throne, the hotly anticipated collaboration between the two hip-hop heavyweights, was released on iTunes last week, the music was not the only talking point.

Virtually every major artist - from Lady Gaga to U2 - has found their music being leaked. So how did Jay-Z and Kanye stop it happening to them?

Billboard magazine reported some of the steps they took - such as storing the music on fingerprint-protected hard drives that were kept in locked suitcases.

To keep hackers out, their producers turned off wi-fi on their computers as the album was recorded in pop-up studios in hotel rooms around the world.

Draft versions of songs were not sent by email. Instead, the duo insisted that all collaborators must come to their temporary studios to record their contributions in person.

The album's art director Virgil Abloh even suggested on Twitter - possibly joking, possibly not - that producer Noah Goldstein had been "sleeping with the hard drives for like 10 months straight".

Only a small circle of people had access to the music before it was released on iTunes last Monday, at which point it was delivered to a CD manufacturing plant.

The album has now broken the iTunes one-week sales record, selling almost 290,000 copies in its first seven days.

Jeremy Banks, anti-piracy director at the IFPI, the global body representing record labels, said that as far as he could recall, Watch The Throne's anti-leak strategy was "the most successful to date".

Such measures are becoming more common, he believes. "With each release, people learn from the lessons of previous releases.

"You would expect that given the success of something like this that other releases will be looked at and potentially treated in the same way."

John Giacobbi, founder of internet security company Web Sheriff, which has worked with such artists as Lady Gaga, Beyonce and Adele, says pre-release leaks are virtually inevitable.

"These days 99% of albums will leak early, it's just a fact of life," he says. "The bigger battle really is containing the leak once they have leaked."

So where do leaks come from?

Mr Giacobbi says most are traced to journalists who need to hear an album up front in order to review it.

Others occur once the music enters the CD manufacture and distribution process. Leaks from people working in studios are less common.

"Typically it would be beyond the studio, once you move above that process through to distribution," says Mr Banks.

"For that moment in time, that content is the crown jewels for that particular artist and that particular label, and it needs to be dealt with accordingly."

One growing threat is hackers, who have broken into producers' e-mail accounts and other online storage systems.

In June two German men, who targeted stars such as Lady Gaga and Dr Dre, were convicted of copyright theft and computer intrusion after hacking into private e-mail accounts and distributing pre-release music.

One of the men, who went by the name DJ Stolen, was also found guilty of extortion and was jailed for 18 months.

"These days producers either keep everything on a portable hard drive and keep it under the mattress or, if they're keeping stuff online, have it very heavily protected and firewalled," Mr Giacobbi says.

While Watch The Throne did not leak, hackers took control of the Twitter account of one of the album's other producers, Mike Dean, to claim they had been sitting on a copy for a month.

They did not leak it, they said, because they "didnt wont [sic] to hurt the team and KW".

The consequences of a leak can be "fairly dire" in terms of lost sales and disrupted schedules, Mr Giacobbi says.

There is also the annoyance to artists who may have been working on an album for years and want to control the way in which it emerges.

Once it happens Web Sheriff has deals with major file-hosting services, such as Mediafire and Rapidshare, allowing the company to remove files within minutes.

But as well as attempting to throttle the leaks, Web Sheriff also appeals to fans' and bloggers' better natures by politely asking them not to share leaked material and to report any leaks they find.

Lady Gaga's Born This Way was one of the most hotly anticipated albums of the year. Prior to its release in May, Web Sheriff took to Twitter and fan forums.

"We would kindly ask you not to post pirated copies of Born This Way on your site," the message read.

"The label, management and artist would greatly appreciate your co-operation... Thank you for respecting the artist's and label's wishes."

The album did leak a week early. But Mr Giacobbi says a more gentle approach does pay off.

He adds that fans were offered approved Lady Gaga material such as taster tracks, videos and video blogs in return.

"If you treat fans like fans, instead of treating them like criminals, it tends to work," he says.

"We set up a mailbox where all the fans globally could report the leaked files. It was amazing - we had literally thousands if not tens of thousands of fans sending in links.

"They were co-operating because they love Lady Gaga. She has a very close bond with her fanbase and they actually wanted to help.

"So it's working with the fans as opposed to working against them. At the same time, it wasn't a one way street.

"It was you scratch my back, I'll scratch yours. It's a much better way of doing it."

Discussion thread here.