Monday, January 30, 2012

GN'R Plan New York Takeover With Historic Return To The Ritz


via Blabbermouth
Seminal rock icons Guns N' Roses are set to invade New York during fashion week with a series of intimate shows then continue with additional stops through the northeast, announced today. Six shows confirmed so far including the historic return to The Ritz (now Webster Hall), 24 years after the filming of their heralded "Live At The Ritz" — the MTV concert continues to be one of the most sought after trades in bootleg circles. For the Webster Hall date, GN'R will celebrate their return by reclaiming the venue as The Ritz with signage and the name appearing on the marquee. The New York takeover in February marks the first time the band will appear at Roseland and Terminal 5, beginning on February 10, 2012. Full list of dates below.

Ticket presale is set for Tuesday, January 31 at 10:00 a.m. ET for the New York run, public on-sale is Wednesday, February 1. Chicago, Silver Spring and Atlantic City presale is Wednesday, February 1 at 10:00 a.m. EST, with public on-sale Friday, February 3. Tickets and VIP packages for all six dates will be available at GunsNRoses.com.

Tour Dates:

February 10 - Roseland Ballroom - New York, NY
February 12 - Terminal 6 - New York, NY
February 15 - The Ritz (Webster Hall) - New York, NY
February 19 - House of Blues - Chicago, IL
February 23 - The Fillmore - Silver Spring, MD
February 24 - House of Blues - Atlantic City, NJ

Saturday, January 28, 2012

In The Studio With Slash & Todd Kerns


glide magazine
The bad ass in the top hat is busy. He is hunkered down in the Barefoot Recordings Studio playing guitar, as his crackerjack band-mates – Todd Kerns on bass, Brent Fitz on drums and Myles Kennedy on vocals – surround him as they record the old-fashioned way: on two-inch analog tape, a wet dream to those who love the pristine sound that comes from using this method over pro-tools modernity.

Last week, Kerns called in to give us a scoop on what has been happening inside that studio in the heart of Hollywood. The Dominator has been laying down some heavy duty bass lines for the boss and, as he notes, some damn good songs are coming to fruition. “We started demoing, just playing around with songs and things, riffs that Slash had brought in,” Kerns explained about the tunes in their virginal stage. “We had started playing with those on the road last year at sound-checks and rehearsals, so those kind of started to morph and metamorphosize into songs”. When Kennedy came in around mid-September while on a break from touring with Alter Bridge, “we went in and did three songs completely, with bass, drums, guitars and vocals.”

They returned to the studio in December where they “managed to do about a song a day and most of it live off the floor, the four of us. We were trying to get all the drums and bass and guitars, including guitar solos, live in one pass. We recorded five or six different passes of the same song. Then Eric Valentine [producer] had some room to play with it and if there was anything glaring from one take, he could kind of find an alternate take.”

Kerns has nothing but praise for Valentine, who produced Slash’s previous CD which featured the guitar god playing alongside such top-notch vocalists as Chris Cornell, Lemmy and Kennedy. “He’s a very, very talented man,” Kerns reaffirms. “We went through an entire phase where the three of us – myself, Brent and Slash – were sitting around arranging and rearranging and tearing songs apart and putting them back together. Then Myles came in and we started that whole process again cause he’s sort of putting in his two cents and then Eric comes in and we start doing that process again (laughs) … But it all came together really fantastic; like it’s huge and aggressive and it’s multi-colored at the same time. It’s not sort of one vein or one flavor; it’s sort of an array, a rainbow of rock (laughs)”.

Having covered the Slash tour on several stops across the country, talking with fans along the way, there was one thing that I heard repeatedly: that they would love to see THIS band record an album. Well, their wish has come true as the band continues to lay down tracks for an anticipated April or May release. I asked Kerns if there was a song that was so good it gave him chills while they were creating it: “There is actually a few like that but there is one in particular that we kind of worked and worked and pulled it apart and rearranged it and took this section out and took that out and it was one of the first things we ever brought in,” he said excitedly.

“The funny thing is, the main riff that Slash was playing on that song is no longer a part of the song, which is totally bizarre cause it was the kind of riff that made you go, damn that’s great … but that particular song was written and rewritten so many times that we’d take a stab at it and the three of us – just Slash, myself and Brent – would stab at it and we’d come up with something and feel good about it and then Myles came in and, well, it doesn’t work on top of that so let’s change that and we kind of juggled it around,” explains Kerns. “Then Eric came in (laughs). Just before we started recording, we were still kind of dealing with that song, to the point that it was almost abandoned. Then it sort of ended up being possibly the strongest song on the record in a lot of ways”.

Although he wouldn’t reveal the title of that song, he did admit that many of the tunes were still in coded names, waiting for Kennedy to put the lyrics into place. When I talked with him for my column in September, Kennedy admitted to sometimes overthinking about the worthiness of what he writes. “He’s incredibly hard on himself,” agreed Kerns. “We’ve had this conversation a few times where he’ll sort of bounce something off me and I go, ‘It’s great’ and he’ll go ‘Well, I’ve been doing this and I’ve been doing that’. And it sort of changes and he’ll come back around to the very first thing he came up with”.

Continued Kerns, “He’s a very talented guy. He sort of cordons himself off in the green room in the studio and is hiding up there by himself, scribbling and writing, and he’s like ‘I didn’t sleep at all last night cause I was up all night writing lyrics’. And I’m like, ‘You’re still writing lyrics? I thought you were done’ (laughs) But that attention to detail is probably why he’s so successful”.

Slash is also very involved with the recording of his new CD. Although some may see him as the poster boy for rock & roll’s wild side, this is not 1991 anymore and the monster guitar player is a clean and sober father of two boys. “Slash is one of the most intelligent guys I know,” Kerns told me when I asked what Slash was really like. “I don’t think people think he’s not smart but I think they have this kind of image of him as this sort of rock & roll, smoking, drugs, rock & roll guy, like he’s some sort of a rock & roll animal. I think that’s the impression people have of him and that is somewhat true, although all those things I just mentioned he doesn’t do anymore. I’m always kind of terrified that I’m spoiling his image somehow by saying that he’s a very thoughtful guy."

But how is Slash in the studio? Is he very vocal about how he wants things or is he more on the quiet side, contentedly playing his guitar? Kerns explained that he was actually a little of both. “A lot of what Slash is all about is he just wants to play guitar. When you know Slash, it’s weird to see him WITHOUT a guitar in his hands. You see him all day long sitting somewhere with a guitar in his hands playing and then you see him onstage playing and then you see him later on playing guitar sitting in the bus (laughs). In the studio, it’s a lot more focus and a command to making it the best it can be and he’s absolutely tireless. We all kind of joke how like we’re all getting hungry or have to go pee and he’s still going, ‘Hey, let’s try this one’. He’s so very focused and very sort of driven. He is a very laid back guy but he also knows what he wants.”

Kerns has called the recording of this CD “magical” and is excited to be a part of it. “Slash has been nothing but awesome to me”, he explains. “He’s been very good to me. I didn’t expect us to have our photos in the live album, Made In Stoke. I didn’t expect us to have our photos in the DVD. I kind of thought, this is Slash’s band, it’s Slash featuring Myles Kennedy; that’s just the way it is. Over the duration of that I’ve watched my own profile get raised a giant percentage. So to me, it’s whatever Slash wants to do. If he decides tomorrow he’s going to get Paul McCartney to play bass, that’s just the way it goes (laughs). Initially, the whole thing about recording an album with Myles didn’t have to be that we’re going to record an album with Myles and Brent and Todd; we’re going to use some session guys in LA and it’s going to be Myles and Slash. But he was awesome about it and let us be on the record.”

So while there are still some overdubs and background vocals and Myles’ lead vocals left to lay down, Kerns believes they will be all done in February. And then “we’ll be out in the spring for sure. I haven’t heard anything official but that’s the plan. I’m assuming Europe and all will be the initial thing cause there’s all the festivals in the summertime and then after that, I haven’t heard anything concrete yet. But I know Slash well enough and he said the other day, ‘I want to be out on the road for at least a year’ and I was like, ‘cool’. I’m sure 2012 will be busy and then probably a chunk of 2013 as well”.

A date in Toronto for March 23 sold out in twenty minutes, proving that the fans are hungry for a new dose of Slash with his stellar band. Get ready, folks, they’re on their way.

Slash 2012 Tour Dates
SLASH: New Album (2012)

Matt Sorum on the Last Days of GN'R



More HERE

Wednesday, January 25, 2012

SLASH: Apocalyptic Love (2012)




"Slash featuring Myles Kennedy and the Conspirators"

13 songs on the record + 6 bonus tracks
Official tracklist:

"Apocalyptic Love"
"One Last Thrill"
"Standing in the Sun"
"You’re a Lie"
"No More Heroes"
"Halo"
"We Will Roam"
"Anastasia"
"Not for Me"
"Bad Rain"
"Hard & Fast"
"Far and Away"
"Shots Fired"
"Carolina"
"Crazy Life"

Read more: http://www.rollingstone.com/music/news/slash-talks-youre-a-lie-reveals-tracklist-for-new-album-20120305#ixzz1oIIqR0XU

Recorded: June 14, 2011 - February 6, 2012
Release date: May 22, 2012

The band: "Slash featuring Myles Kennedy & the Conspirators"

Slash (guitars),
Myles Kennedy (vocals, guitar),
Todd Kerns (bass, vocals)
Brent Fitz (drums, piano)
Eric Valentine (production, recording, mixing and mastering)



YOU CAN PRE-ORDER THE CLASSIC ROCK FAN PACK EDITION OF SLASH'S NEW ALBUM HERE.

"What happened to sex in Rock & Roll? It's pretty much disappeared. What up with that? This next record will be a shag-a-long record. And heavy too."

"We're just going for the one take that sounds good, so my solos are more raw, probably sloppier in a way, because they're very spontaneous to the point where it's in the heat of the moment."

"Everything is being played live with the music tracks -- the solos, everything. We're trying not to overdub extra bits. So if there's a solo, I'm playing on one side, Myles Kennedy's rhythm track is on the other."




Slash Twitter
Todd Kerns blog

Slash 2012 tourdates
Slash setlists
Slash 2010 album

Friday, January 20, 2012

Guns N' F'N Roses Finally Release "Estranged"

After many delays, GunsNFNRoses have finally released their cover of "Estranged," the first in a hopeful series of Guns N' Roses covers.

Before release, the track had been given the nickname as The Chinese Democracy of Internet Fan Forum Covers for it's large number of personnel and delays. We hope you enjoy the track, and any future releases.

Thanks are to be made to everyone involved, however big or small a part they played, and to evader for mixing the track.
Estranged (GNFNR Cover).mp3

Wednesday, January 18, 2012