A prickly statement by Rose and Guns N' Roses
Ann Powers, Los Angeles Times
No pop star has built a fortress as maze-filled and ironclad as one W. Axl Rose. Not Michael Jackson, whose retreat was forced by scandal as much as by artistic crisis and who seems ever more weakened by his reputation's slide. Not Zack de la Rocha, who (like Rose) went down countless collaborative roads before revamping the Rage Against the Machine template with his new project, One Day As a Lion. Not Garth Brooks, who also turned hermit but craved the crowds too much to stay inside.
Rose, the most ambitious hard rocker of the late 20th century — shout-outs to your Trents and your Bonos, but Axl is the most vividly driven — essentially quarantined the Guns N' Roses brand for 15 years, unable, perhaps, to reconcile the sounds in his head with what is humanly possible. "Chinese Democracy," the title track from the album finally coming out November 23, hits like an offering pushed through a crack in a locked gate, hinting that those sounds, never completely apprehended, have now coalesced into something Rose can face.
The sound is murky, ugly and evocative of a dark cityscape; you could call it —"Blade Runner Rock," because like that 1982 film, it's a very dirty vision of the future. On one level, it's a protest song about Chinese state oppression. More important, it's a spit back at the audience that's been waiting for what has to be a masterpiece, if Rose is to survive artistically.
The song builds like bile. It doesn't behave the way radio-friendly singles usually do. The chorus is just an extension of the verses, rising a little in pitch and compression. There isn't really a proper hook; the sweet release that Slash's solos always brought to the mix never comes. But the refrain sticks after several listens.
"It would take a lot more ..." is the key phrase, the one that Rose sings in still-powerful midrange. More hate, more time. These are the points when the song sounds the most like Nine Inch Nails — a shot of aggression that somehow contains its own alienated retreat.
"Chinese Democracy" also recalls "I'm Afraid of Americans," David Bowie's 1997 foray with NIN. Both songs have a suffocated quality, as if their makers are pushing through smoke to express these thoughts. It's the sound of florid, romantic rockers aiming for something cold and modern.
But Rose can never really be cold. He's a Heat Miser — whatever he touches starts to melt in his clutch. That's why these paranoid rockers never quite satisfy the way his grandiose ballads can. As real as Rose's anger may be, in song it starts to feel overly put on, in need of a sweeping chorus or Slash-like ringing solo to relieve the tension of the pose.
San Jose Mercury News
"As real as Rose's anger may be, in song it starts to feel overly put on, in need of a sweeping chorus or Slash-like ringing solo to relieve the tension of the pose."
ReplyDeleteThis Ann Powers never heard "My world" or "Oh my god", did she? The thing with Axl's so called ballads (is "live and let die" a ballad?the final parts of november rain and estranged a ballad?) is that, probably in axl's head sound like symphony, but there aren't any instruments that can play what axl wants in his mind. So then came slash, whose ability to understand - musically, anyway - what axl wants translated into this wicked and brutal guitar solos that work as the instruments that axl can't find. That is why the "slash, thanks for the killer guitar melodies" in November Rain.
But, all in all, i guess that's a good pre-review (since the album hasn't been officially released yet...). And much more positive than those comments at kw-something-radio when i heard Chinese Democracy.
ard