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How much do you know?
How much do you see?
How much do you take?
How much do you need?
You want a lot but you dont need it.
Axl needs a psychiatrist because he has deep rooted psychological issues, he's "fucking crazy". Remember?I Feel Sick to My Stomach
Need proof? Just look at him, the way he dresses, the braids in his hair, the way he behaves, tell me this isn't undeniable evidence that he just completely does not give a shit what you or anyone else thinks. He is only concerned with his own self-perception. For fucks sake he hired a guitarist named "Buckethead" who plays with a white face-mask and an empty bucket from Kentucky Fried Chicken on his head. Why did he hire Buckethead? Because Buckethead shreds on the guitar.
Metallica are sporting leather jackets this time around, hoping to convey a tough unified Rock n' Roll image, a back to the streets look. Axl is demonstrating the difference between Artist and Rock Star, a trapping that he has transcended. Axl is demonstrating the difference between self-delusion and self-obsession. Metallica are self-deluded. They need to be the biggest band in the world; they crave the money, the critical praise, and the fame. Metallica's think all these things matter and that they will make them happy.
Axl is self-obsessed. All he cares about is his masterpiece, his monument to himself. Think about it, who else is he writing about? Do you think Axl dates anymore? These songs seemingly sung about some mystery girl, do you really think there is one? Axl is singing to himself about himself. He is in love with himself and at the same time hates himself; he is at war with the demons inside his head. This album is a self-portrait. Metallica are paint by numbers. Axl is Van Gogh. Is his self-mutilation not completely evident? Has he not completely isolated himself into a prison of his own paranoia?
"First off....Dizzy & HNB were fucking awesome & Dizzy is just a way kewl dude. Very friendly guy.My take on this (if it's true).
@ the end of the gig 2nite, I helped Dizzy tear down his stuff & I asked these ?s....
Re-union?
" No chance of a re-union....it will never happen..ever"
Did you play the piano parts on Prostitute, cuz I think its awesome & the best part of the record?
" I have no idea, what parts of mine made it to the final recording of CD. Im fairly certain the parts of Street Of Dreams did, other than that..."
Tour this year?
" He has plans & as far as Im told, There will be a tour this year & I just hope I get the call to do it"
Why did AXL just basically vanish after the release of CD?
" Who knows?...he doesnt even know."
"Wal-Mart, for its part, went all-out in promoting the disc, and the band as a brand. According to independent music marketing executive Bob Chiappardi, who was involved in the strategy, 'it was an encompassing thing...they put a pop-up store in the men's department in all the Wal-Marts, at the entrance they had posters [and] postering throughout the store, they had stand-up racks in the aisles approaching the men's department, and then they had displays in the CD department, a whole top row on the VH1 rack. Not only back catalog, but video games, the AC/DC version of Rock Band and T-shirts.'You can click the link below for the full article.
The band, in turn, employed all the standard promotional strategies for a new album — it made a video for the first single, 'Rock N' Roll Train,' submitted to interviews and embarked on a massive world tour. Result? Black Ice (which is fantastic, by the way) topped the charts, the concerts sold out — and the band was back, any lingering image controversy surrounding its collaboration with Wal-Mart washed away on a flood tide of cash.
But what about the year's other big exclusive deal — Guns N' Roses' release of Chinese Democracy through Best Buy? In many ways, it was something of an apples-and-oranges comparison. Wal-Mart is a much larger chain than Best Buy, and it threw itself behind its chosen album much more vigorously. BB, which significantly reduced the amount of floor space devoted to music in 2008, offered no store-within-a-store. It merely set the album on cardboard towers on the sales floor, which were dwarfed in many outlets by similar displays advertising the complete Sopranos on DVD.
But according to a marketing executive familiar with the deal, this minimalist-seeming strategy was all that was arranged up-front: 'They're kinda just doing what they can do with what they've got. The only thing [Guns N' Roses] had to deliver was a video and the record.' (The video will be for the second single, 'Better,' and should be out sometime soon.)
According to industry scuttlebutt, the negotiations for the Best Buy deal were frantic and down to the wire. 'These guys didn't have finished music until a month before,' says one source. 'It was insane. In all honesty, Axl was working on everything — the art, everything — right to the end.' Indeed, in a recent web chat on a Guns N' Roses fan site, Rose (manager Andy Gould later confirmed that it was really him) stated that there were plans for multiple covers that may emerge in the future, that he has a favorite, and it's not the one currently in stores.
"Well, that's a funny story because actually he was my neighbor in Los Angeles in the late 1980's, early 90's. I was living in Laurel Canyon, an area of Los Angeles, and at the time he was married to Erin Everly.Thirsty
There was a Rock journalist, who lived behind me in the guesthouse, and Axl Rose lived two houses up the hill. I was hearing stories about him and different things that happened all the time from this journalist, but I didn't really see him.
Then one day I heard they were having a fight and that he threw the wedding ring in the bushes - and that he graffitied his garage. He took the lyrics from his song and then he twisted it because he was having a fight with his wife at that time.
So I took a photograph because it was just like this sick poetry. I guess being in Los Angeles it was just funny at that time…tragic, but it was also funny.
And I took a photograph of it and his wife came home, when I was shooting and she's asked: 'Who are you working for?' and I replied: 'I'm not working for anyone,' because I don’t do paparazzi. And then I put the photograph away.
I think I showed it to my art dealer and I showed it to my brother and that was it. It was kind of this joke that he was my neighbor and I just put it away for years.
Then I was thinking about what to do for my next series. After the 'Rock Star Moment' series was well received and critically successful in the gallery venues, I wanted to further that idea. Each series grows organically out of the previous series with my work.
I produced a permanent public art installation for the MTA in Los Angeles (Metropolitan Transportation Authority) dealing with locations of rock n' roll history. I expanded my level of production to execute that project by using an assistant/intern, scouting locations, and working like a filmmaker. So I took that method from working on the grant project and incorporated it for another series.
I made a whole series of work based on this sick graffiti from Axl Rose's song, 'Sweet Child O’ Mine,' and did a whole new series of images and portraits, constructed just inspired by that image."
"And the streets don't change but maybe the name
I ain't got time for the game
'Cause I need you
Yeah, yeah well I need you
Oh, I need you"